illustration by Kozyndan

JAPANAMANIA
UP OUR SLEEVE TOUR: the dublab covers project

November 11th -24th 2003

This November we brought "UP OUR SLEEVE: the dublab covers project" to Tokyo and Kyoto.  What a surreal excursion.  Japan is far out.  Tokyo is a megalopolis buzzing at the seams with inertia.  No space is unoccupied for long.  Human traffic flash floods every intersection.  Great masses swirl in their busy courses weaving like bees bathed in neon.  The constant bellows and barks of Parisians or New Yorkers are absent.  The people of Tokyo move quietly.  It is their buildings that do the talking. Giant video screens crown towers.  Their flashes and screeches rapidly boast of the latest techno-gizmo as spazz-out techno breaks scatter across the block.  It's easy to experience vertigo from the ground here.  Tokyo is compact and chaotic. Stores and restaurants are hidden deep within glass and steel exteriors. Want those boots?  Take the elevator to the 16th floor, turn left, right, and try them on. This is an altogether different land.  If you don't speak Japanese, voices splash your ears in chattering waves and Kanji phrases flutter like indecipherable butterflies into your mind.  Give into the tide and you'll fall in love.  Or, get out and find piece of mind.  Kyoto is like Tokyo after deep breaths and bubble baths.  It is an ancient city of mountainside temples and aromatic, alleyway shrines.  Kyoto greeted our crew hugged by flaming autumn trees and sparkling streams.  The city drifts on pleasant vibes.  The pace is slow, the people warm.  Kyoto and Tokyo have the exact same letters in their names.  Is this coincidence or a sign of deeper power at work?  You make the call.  Meanwhile enjoy this article about Japan. Following are some random observations from an awestruck outsider.

???!!!JAPAN!!!???

CUTIES - Japanese girls are like beautiful bubblegum strolling the streets in leg warmers.  All you can do to keep from chomping them up is fill your mouth with rice balls.  (The wasabi and salmon variety are quite tasty.) Ladies don't fret.  This is not a place for one-sided gender shock. Everyone in Japan dresses fresh.  They have ingrained fashion sense set on the future.  My "relaxed" fashion sense looked slummy beside them.  If I tied my shoes tight and smoothed my shirt on my next step I was sure to encounter a hip kid sans laces, sporting a giant wrinkled poncho and alligator mask.  Damn it, they can pull off formal dress with a paper bag and string. YUM - Food is cheap.  It's not dirt-cheap but who wants to eat dirt?  You can score a tasty, filling lunch for $5.  Dollar sushi spots are hot.  If you are a vegetarian or avoid certain edible elements beware.  If you're a ten year old be even more aware.  You'll swear an extra from "Aliens" landed on your plate.  If you're an open minded eater chomp away cheerily.  Octopus balls are a crispy culinary highlight.  (Warning: there are no burritos in Tokyo).

INSERT COINS - Japan has the world's most vending machines per capita. Around every corner these mechanical do-gooders give all night access your cravings.  Whether that is underwear, beer, smokes, or chowder you're in luck.  The hot milk tea and hot apple tea will fill your life with love. They are always the perfect, tasty temperature.  You'll never encounter an empty machine or the magic elves that maintain them.

TRASH BAN - You'll have more luck spotting a clan of bikini-clad daredevil armadillos than a trashcan in Tokyo.  Most public refuse receptacles were removed after the serin gas attack by brainwashed cultists.  Word is they stuffed ruthless wares in rubbish bins.  At least the Japanese war on terrorism is reasonable.  However, at any given moment I carried a pound of trash stuffed in my pockets.  How does the place remain so sparkling clean? Refer to the magic elves above.

WONKA GONE WRONG - There is a very freaky trend in Japan.  Some girls seemingly want to be reborn as Jamaicans.  Walk in a mall and you'll see ladies in "island attire" with bright orange skin and bleached perms.  They look like bling bling Oompa Loompas.  I'm not one to judge but if I did the score would be: CREEPY.

ROMPER ROOM - Traditional Japanese homes and restaurants cover their floors in woven Tatami mats.  Before entering, slip off your shoes and ease into the comfortable world of straw.  It's fun to sit down for a meal and know at any moment you could reenact the famous underwear and socks slip'n'slide scene from "Risky Business."  If they question your undie undulations just reply, "I'm a baby Sumo!"  Head to the powder room and you'll find sandals awaiting your naked foot.  It's all quite liberating.

SHOP TIL YOU POP I once heard that 80% of the world's vinyl eventually ends up in Japan. Their record buying culture is intense.  In some shops album prices hover between $200 and $500.  If you want to pay your rent and still score some cuts here are a few suggestions.

ONSA RECORDS - This small, cozy spot in Shimokitazawa is an ultra-focused record boutique.  It's stocked with the hottest spectrum of slowbeat tunes. If you're searching for Bubble Core, Warp, Fat Cat, Leaf, Tomlab, or other innovative micro-imprints this is the place.  The attached teashop adds to the mellow vibe.  Sip some oolong and spread almond cookie crumbs amongst next wave wax.
www.onsarecords.com

DISK UNION - This is a serious, pre-meditated threat to financial security. Floor upon floor upon floor of well-organized records greet vinyl lovers with a sinister grin.  The extremely tasteful techno, experimental, and hip-hop floors inspire wide eyes but the used rock/jazz/world floor really floats the record collector boat..  Timeless albums by My Bloody Valentine, Can, Os Mutantes, Shuggie Otis, Serge Gainsbourg, Nico, Hugh Mundell, Stereolab, and more fill the shelves.  The in-store stereo oozes vintage psych-rock sure to loosen joints and purse strings.
www.diskunion.co.jp

SPIRAL RECORDS - Nestled in Aoyama's architecturally wowee-zowee Spiral Building you will find a specialty shop stocked with rich sounds.  Equally offered are quiet electronics, unconventional hip-hop, dub, and Afro-Latin discs.  This is also home to the excellent Farlove record label.  If you visit, bow once, clap twice and buy their perfectly balanced Twilight World 2.0 compilation.  It will serve as a superior sidekick on your Nippon trip.
www.spiral.co.jp
STAR SEARCH We were introduced to some delightfully dizzy new music in Japan.  Many discs exchanged hands with greetings and smiles.  Take a look at some new Japanese music masters below.  If any of these become the next Yellow Magic Orchestra you will know where you heard it first.  Oh yeah, don't forget the folks we couldn't fit: Nobukazu Takemura, Masakatsu Takagi, Win a Sheep Free, Sangatsu, Susumu Yokota, World Standard, Tujiko Noriko, Ogurusu Norihide, Fantastic Plastic Machine, United Future Organization, Kyoto Jazz Massive, ShingO2, Towa Tei, and Ryuichi Sakamoto.

PEPE CALIFORNIA - Our pals Kozyndan turned us onto this Tokyo-based outfit. Their album the Nice Nice is a sunny jaunt found on Farlove Records.  Drums (steel, trap, and electronic), percussion, violin, guitar, and bass mesh to elevate ears.  Pepe California asked us to play an opening set for their gig in Yokohama, then suggested we scratch along live with one of their tunes, and finally invited us to sing a Ramones tune with them.  We thought what the hell we're in Japan.  The dublab crew was in rare form indeed, whipping around the stage belting out "Blitzkrieg Pop" to a crowd of bewildered kids.
www.pepecalifornia.com

KB - Pepe California's guitarist/bassist in solo mode.  His sound swings similar to the breezy tone of the group effort but slightly more slippery. It's subdued and dreamy.  Paid Holiday is rich, hypnotic music for rowing boats or painting sunsets.  The stained glass sparrow cover design by Bluemark is stunning. www.bluemark.co.jp

AZERU - If you are a fan of the swirling chimes, lightly plucked guitars, and soft voices of Mice Parade then say hi to your new pal Azeru.  The album Anchoyu glimpses relaxed moments of Japanese living.  You can almost taste the bamboo waving in the wind.  If you do, you might be a panda bear. www.h3.dion.ne.jp/~bufflof

SLOWMAN - The debut album from Spiral Records buyer Sohei Tsurutani.  The Floating Deck hits a perfect stride between techno thump and ambient waves. His upbeat tones sound like Herbert set adrift on memory bliss.  This is a nice start for hopeful sound. http://www.bitofheaven.net/english/artists_e/slowman/slowman.html

CAPPABLACK - We have been playing their music for years and were thrilled out of our britches to meet Hashim B., one half of Cappablack.  This cat was raised in San Diego and has a global ear for sound.  Cappablack's output on Tokyo's Soup-Disk label turns ears on with deeply dynamic hip hop pop offs. Soon they'll release an album on Berlin's ~scape.
www.soup-disk.com

RIOW ARAI - An ace beat machine man.  We played two shows with him and at each he really freaked it.  Using only two discs he cut back and forth skillfully, creating chunky new edits of his already mind tumbling beats. Check for Device People on Soup-Disk and Mind Edit, new on Leaf.
www.riowarai.com

Well friend, that was a teeny-weeny taste of Japan.  Open your eyes for a second in Tokyo and you can take in ten thousand times what you just read. Regardless, I hope these words inspire you to dive deeper into Japanese culture.  Start wearing a kimono each and every day, utter not an English word, and play the bamboo flute in local talent shows.  There you go!  You got it and got it good.

By Frosty

positive music . driven . lifestyle
dublab.com

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The Summer Sessions - Deep Fried Live

Saturday, July 13th
The Getty Museum, Los Angeles


This Event was put together by Soundlessons' own Garth Trinidad (KCRW-Chocolate City) and he did a marvelous job. He teamed up with our good friends: B+ (Brian Cross), Dj Spinderella, Saul Williams, Dj Dusk & more to give the people of LA a night to remember.

It was one of the most positive events I've attended in Los Angeles in years, the vibe was incredible, people of all types walking and talking with each other enjoying the art, music, spoken word, food and anything else you could get your hands on... LOL

Well for many others included myself it was the first time going to the Getty and I really didn't know what to expect. Let me tell you all something...the Getty is dope, you have

 

 

a great view of LA, beautiful surroundings, and plenty of parking (well on a normal day there is). It is a definite must see.....if you have the chance GO!!!

We got there and it was ridiculous....their were so many people tying to get in....we finally got a parking spot on the last level (thank god 'cause I heard people were parking 2 miles away and hiking up to the Getty). We catch the tram to the entrance of the Getty we walk up the stairs and BAM!!! LA is in full effect.....the place is packed full of people of all colors and all ages there to experience a good time converse and learn what the word community means. I walked through the doors and Sherry Brown is warming up and getting ready to do her thing. It's close to sundown and the weather is perfect, all the movers and shakers of the city are in the house and are anticipating an incredible evening and they were not disappointed. You walk downstairs towards the garden and a crowd of people have commenced and are forming a small dance floor to enjoy the sounds of Dj Spinderella who killed it by the way. Everyone in the downstairs section is groovin and chatting saying hello to people they haven't seen in a while.

The sun goes down and Spinderella has the back drop of the city behind her and is rocking the place, the clock strikes 8:30 and they stop the music downstairs and tell everyone to head upstairs because it is time for Saul Williams to drop science on the electric filled crowd. Saul destroys us with mighty vowels and adjectives that crush our thought patterns and make you stand there and ponder what the truth is.....have we been lied to is one of my questions and of course the answer is an astounding yes!!!
Thanx Saul for being you..... After Saul is done, they bring the lights down on the main stage and towards the back of the top floor of the Getty you hear the vibrant sounds of the one and only Bob Marley, that means Dj Dusk is in the house. He drops a soulful set for us mean while they are setting up the stage for the main event where they would be the showing of B+'s short film Keepintime. Not only did they show this amazing short they performed major parts of it live right afterwards. The live performance starts out with Garth Trinidad introducing two of the drummers from the film James Gadsen & Paul Humphrey. They blessed us with an incredible beat session. Now if that wasn't enuff.....on stage walk Cut Chemist & Numark of Jurrasic 5 and crowd went nuts......I mean bananas it was truly out of hand in there. Cut & Nu are doing there thing and then Garth completes the session by announcing the entrance of Derf Reklaw who took the performance to an entire new level.....but of course the party killers show up a.k.a. the Fire Marshall and makes us end the performance early, just as the peeps on stage give the crowd a few more reasons to scream. The performance ends and Garth thanks the crowd for showing up.....5,000 people ya'll.....I hope you were there like I stated earlier, it was one of the best times I've had in LA in years. I hope to be part of something like that again, I didn't want the night to end it was too beautiful of a thing and a lot of work went into it, too bad it ended so early. LA represented in a big way.....I was proud of my city that night.

By
J-Logic

Check out the picture gallery under
Keepintime @ the Getty to see what went down and who was there we have more pics coming of that night so stay tuned....

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DJ Shadow @ the Mayan

Wednesday, June 12th
Mayan Theatre, Los Angeles


Shadow killed it ya'll he took it to a new level, His mixes were flawless, & his visuals were excellent. It was a quality show, anyone who saw him for the 1st time is hook and if you were already a shadow fan then you had a great time. From "Organ Donor" to his new hit "Six Days" it was and all around great show.

J-Rocc the Funky Pres. opened up for Shadow, they had him playing on mixer that looked like it was from the 70's. I mean this mutha was HUGE!!!! Then my boys Anti Pop Consortium came out & killed it, letting LA know that there are no boundaries between lyrics and making beats they played all their stuff live on stage and freestyled a couple joints too.

Our good friend B+ (Brian Cross) showed his movie "KeepinTime." It's a short film based around drummers: James Gadsen, Paul Humphrey, Earl Palmer, & Roy Porter. The drummers get down with Dj's J-Rocc & Babu of the Beat Junkies & Cut Chemist of J5, Dj Shadow did the score to the film......actually he was a key part in the film. B+ actually edited his film to match Shadow's score basically doing it backwards and adding a new angle to film editing. The LA heads loved the film, (you can see the film and the live

 

show @ the Getty this month check the Upcoming Events section. Plus listen to the archive from Chocolate City when B+ went on the radio to promote the world premiere of the film @ Soundlessons in Jan 2001. You can check it out under Guest set in DJ Mix section.

Then it was time for Shadow to step up, The Lakers had just 3-peated a few hours earlier and it was bananas in downtown LA so Shadow gave out some Laker love and proceeded with his show. He opened up with A Letter From Home with a video clip from the TV show "MASH" then all of a sudden "Fixed Income" came in and it was on.....his visuals were sick!!! I mean they did a really great job on it. He did a couple of songs then took a break and spoke to the people again he thanked everyone who showed up (It was packed in there!!!!) He thanked everyone by saying "LA I know you have a lot to choose from with your entertainment dollars and I'm so happy you chose to spend the evening with me, it makes me feel really great that you support what I do."

He then continued to hit us with hit after hit from previous albums and his current album: Private Press. My favorite, and Dj Numark's (he was standing right next to me back stage) was when Shadow played "Mashin on the Motorway" the track is hot and the visuals were sick and then it goes right into "Blood on the Motorway", the screens behind him went red and stayed that way until the song peaked when the drums came in and the visuals and Shadow cutting were sick. He had two encores, one with drummer Malcolm Cato, & a second encore with Cut Chemist & Numark of J5 & they recreated a little drum machine number that they put out on the special edition of Shadow's new CD recorded live @ Root Down. All in all it was a great show and LA came out in full force to see what our boy from up north has been up to these past 5 years.

By J-Logic

Check out Shadow on Jason Bentley's show Metropolis on KCRW under Guest set in DJ Mix section.

Check out the pictures from the show under Dj Shadow Show in the Picture Gallery.

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Not In Our Name - Artspeaks Against the War

Sunday, May 12th
Palace Theatre, Hollywood

LA WEEKLY, May 10-16, 2002 ArtSpeaks Against War with Dilated Peoples, Ozomatli, Blackalicious and many others at the Palace.

Hey, we unanimously support a war without end, a war against everybody, with intolerance and suspension of civil liberties for all, right? Growing numbers of citizens are starting to think it's not unpatriotic to say HELL FUCKING NO, and ArtSpeaks has raised its own army to voice opposition.

In addition to the above hip-hoppers and world-embracers, some other musical presentations will include humanist rap from The Coup, North African pluck from Hassan Hakmoun and glorious polyphony from the Pan Afrikan Peoples Arkestra. There'll be poetry from Saul Williams, "Mad Dog" Wanda Coleman and others. Video? Observe the work of Sarah Jones and Suheir Hammad. And Ras Michael, Leon Mobley and Money Mark will be making those ever-popular "special appearances." This is ArtSpeaksâ fifth concert, each having a theme; this year's could hardly be more obvious or more appropriate.

From 6 p.m. -- Greg Burk